About Peter

Raw energy and passion – these are the trademarks of Peter Protschka’s playing and composing. The Cologne based Jazz trumpeter, one of the leading european trumpeters of his generation, considers them a bow to the American Jazz tradition as it has developed since the early nineteen-sixties. But at the same time they always exhibit a rather personal and European touch.

"I’ve always been fascinated by and drawn towards the music of the Hard and Post Bop eras. I love the energy and soul, the sense of humor and the lifestyle that are characteristic of this style", says Protschka himself. "That's why the sound of this era will always shine through all my Jazz projects, whether it is my current quartet or my Art Blakey tribute sextet, The Art Of The Message. Of course the quartet doesn't sound like an American band of the sixties – not least because we all have a completely different background than the musicians of that time. But I've always been interested in the sound of certain historical periods, which is why I also listen to a lot of Classical music. I've started several crossover projects, where I sometimes play a Baroque trumpet."

Apart from Classical influences, Protschka carefully weaves present-day musical trends into his music that go far beyond Postbop. However, he still considers those legendary groups and their composers to be his most important source of inspiration. "Musicians like Kenny Barron, Joe Henderson, Tom Harrell, or Wynton Marsalis have left us seminal recordings, and some of them continue to do so to this day. For me, this is not living in the distant past, but continuing and developing a great tradition."

This may help to explain why the photographic material for Protschka's current quartet CD was taken at the legendary "Metronom", a Cologne Jazz club that opened its doors in 1968. Carefully selected vinyl discs are being spun here to this day, if it isn't one of the regular live Jazz nights. "We played a small and classy concert for our friends there and used it as a backdrop for the photographic impressions of this unique German club. On the one hand, time seems to have stopped at this venue, but on the other hand it provides a place for fans of all ages to mingle, proving that this music has never lost its infectious vitality and relevance", explains the trumpet player. "But the musicians in my bands tend to share my passion for this style, hence the name of my new CD: Kindred Spirits. We want to pass on the fire!"

Protschka lives in the middle of Cologne and has traveled frequently during the last few years – regular visits to New York and Paris were among his trips. That's where he gets to fill up on inspiration and energy. The urban sound of these cities is characteristic of his music, which represents an honest commitment to his own musical truth. Protschka's gorgeous sound and palpable sensuality on the trumpet and flugelhorn round up the pleasure of this release.



2003 Jazzdiploma at the Hochschule für Musik und Darstellende Kunst Mannheim


2005 Konzertexamen Jazz at the Hochschule für Musik und Tanz Köln


2010 Master of Ancient Music at the Hochschule für Musik und Tanz Köln


Lessons and Masterclasses in Europe w/ Ack van Rooyen, Klaus Osterloh, Claus Stötter, Jarmo Hoogendijk and in the US w/ Alex Sipiagin, Eddie Henderson, Laurie Frink und John McNeil.


Protschka, a very sought-after player, is an active member of the vibrating european jazz scene and is actually playing and recording jazz music in a variety of renowned venues with musicians like Rick Margitza, Ronnie Burrage, Maria Schneider, Ingrid Jensen, Bobby Shew, Don Menza, Alex Sipiagin, David Murray, Oliver Lake, Tom van der Geld, Dieter Ilg, Jürgen Seefelder, Thomas Stabenow among many others. He is also performing classical music as a soloist and he is touring with orchestras playing ancient music on period instruments like Roland Wilson´s "Musica Fiata." He is a teacher for trumpet, harmony and bandcoaching at the cologne music conservatory Rheinische Musikschule Köln since 2007. He has been featured by all important german broadcasting stations like WDR or BR and in germany´s most important jazz magazines.


References: Leverkusener Jazztage; Dresdner Jazztage; Düsseldorfer Jazzrally; Villette Jazzfestival Paris; Jazz and Joy Worms; Acht Brücken Cologne; Idstein Jazzfestival; Mannheimer Morgen Jazzfestival; Musik in den Häusern der Stadt, Cologne; Jazzfestival Hürth; Philharmonie Cologne; Tohalle Düsseldorf; many renown venues on the european scene (Bird´s Eye Basel, Jazzkeller Frankfurt, A- Trane Berlin, Fat Jazz Hamburg and many more)